Spike Lee brings perhaps the most mainstream effort of his career to audiences everywhere this week with Inside Man. After spending more than twenty years using the city of New York as a lens through which to view the social issues of racism, sexuality and criminality in films such as Do The Right Thing, Jungle Fever, Crooklyn and 25th Hour, Lee here uses his hometown as a setting for another type of film entirely;
specifically, a heist thriller. Of course, Lee is far too talented a director to indulge in the clichs of the idiom, and aided by Russell Gewirtz's clever and well-structured script and a bravura cast, he brings style and novelty to a story that we have all seen many times before.